Sunday, July 18, 2010

Oracles, Omens, and the World Cup

When one door closes, another door opens.

On June 26th my path crossed the Louis Vuitton Journeys campaign—the one about Legends which introduces itself as An Encounter with Greatness. It was like bumping into old friends in a distant city. Louis, who was last seen strapped to the roof of a classic red Renault traveling the back roads in Ireland, had emerged on CNN.com on reality’s side of the boundary that separates it from make-believe. By all appearances, Louis has found his niche promoting travel as a form of self-discovery... an opportunity that gives rise to both “spiritual and physical metamorphosis.”

With renowned photographer Annie Leibovitz behind the lens of the camera, the Journeys campaign has a history of its own. This year the creative minds behind it chose to align the message with a world event due to culminate on July 11th, 2010 in South Africa.

Annie’s photos are a companion to words the likes of “Three exceptional journeys,” “One incredible game,” “… the moment the world has been waiting for.”

The snapshots capture three great soccer players—modern-day legends—in an epic battle being played out on a foosball table. In the real world, Pele won his first World Cup at age 17 and is the only player in the history of the game with three World Cup medals. He was named Football’s ambassador to the world while the government of Brazil declared him an official “national treasure.” Zinedine Zidane helped France win the World Cup in 1998 and has been awarded every top honor at both national and club levels; he is a three-time FIFA World Cup Player-of-the-Year. Diego Maradona captained Argentina to a World Cup victory in 1986, a trek highlighted by five personal goals, one of which is said to have been infamously delivered by “the Hand of God.”

In an effort to engage the audience, Legends was designed with an interactive feature where questions could be asked of the greats and answers actually provided. But for all its planning and creativity, nobody at Louis Vuitton could have guessed where this journey was headed, even with picture perfect postcards from every destination that’s been visited.

On a whim, I Googled the generic phrase about “knowing where one is going” and came upon a note saying it was used by Alex in the movie Hitch. Alex (Will Smith) describes his occupation as one that “creates opportunities.” He’s a self-described late bloomer whose first round with love ended with a scene straight out of Forrest Gump. During a rainy night on a college campus he goes looking for the girl who’d captured his heart’s affection and finds her in the back seat of some other guy’s car. He never pursued another woman. Instead he became a date doctor who coaches men on the proper way to woo a woman. And he promises three dates is all anyone needs to seal the deal.

When Alex observes Sara (Eva Mendes) across a crowded room, he feels an immediate attraction. Following a quick introduction that provides only a name and who she works for, he has half a paired-set of walkie-talkies delivered to her desk so he can make contact with her. She agrees to meet him on a Sunday morning at a marina on the Hudson River.

Sara is a gossip columnist who doesn’t hesitate to break a couple apart. She freely says, “If a guy is stupid enough to cheat, the world should know he’s dumb enough to get caught.” In a surprise revelation, their date involves jet skis and a race to Ellis Island where they get a history lesson from the resident expert:

“In fact, over 100 million Americans can trace their ancestry back to a single man, woman, or child on the ship’s manifest to an inspector’s ledger. By 1910, 75% of the residents of New York, Chicago, Detroit, Cleveland, and Boston were immigrants or the children of immigrants.”

As a creature of habit, I looked up Ellis Island myself and discovered a few facts that weren’t mentioned in the movie. Ellis Island earned the moniker “Gateway to the New World.” More surprising was that the first immigrant on record, who came through the gates on January 1, 1892, was a 15-year-old girl named Anna “Annie” Moore who arrived from—of all places in the world—Cork County, Ireland.

Alex and Sara continue their tour and stop to gaze at the book of names which is on display. Alex tells her, “You can't really know where you're going until you know where you've been.” Unbeknownst to Sara, he set the stage prior to their arrival in hopes of endearing her. However he failed to take into consideration a seemingly minor detail and things didn’t play out like he’d envisioned.

Hitch was originally titled The Last First Kiss and incorporates a Kissing Post, also on Ellis Island, which explains how people from different cultures kiss after long absences.

On their second date Alex has a bad reaction after swallowing some specially prepared fish. Sara takes care of him through the night then wakes to discover he rose early and departed. As she punches the pillows on the couch in frustration, he appears in front of her with a selection of tea and coffees and explains that he merely slipped out to pick up breakfast.

Sara: Oh God. You’re a morning person aren’t you?
Alex: Well, like I tell my clients, “Begin each day as if it were on purpose.”

I have news for Sara. Just because someone gets breakfast at the break of day doesn’t necessarily mean they’re a “morning person.” We only need look at Holly Golightly in Breakfast at Tiffany’s.

By the time their third date rolls around, Alex is feeling pretty good about where their relationship is going. Sara, on the other hand, fails to ask a few key questions while doing a little investigative work and ends up destroying not only her own budding opportunity for love, but she tears apart a relationship Alex had been working on behind the scenes that had passed the three date milestone. Alex is clueless as to the source of her sudden hostility and his home cooked dinner transforms to a battle as they throw garden vegetables at one another. The scene puts a whole new spin on Declan’s comment in Leap Year, “Alex, you’re in charge. Don’t blow anything up.”

If there were a moral to this story, it would be “get your details straight or NOBODY will ever get to where they thought they were going.” But putting bits of wisdom to use isn’t always as easy as the words make it sound and sometimes takes practice.

Somewhere along the way I supplanted that old adage about following my first instinct with “fools rush in.”

Five weeks ago I thought I knew which of the “17 stories” rising above the stage I would be tackling next. I’d already made a connection to The Blind Side and knew that Sandra Bullock’s new baby’s name was Louis. At the end of the movie Leap Year, Declan leaves the kitchen to respond to a customer’s complaint and approaches a table saying, “All right, which one of you bollockses thinks my chicken’s dry?” But whatever the mechanism is that nudges my inclination to pick up and follow a particular thread... all communications petered out to near nothing.

It certainly wasn’t for lack of possibilities. After the earthquake in Haiti, I never stopped accumulating news articles that contained details which originated in the imaginary stories and were being used to describe events happening in reality. After bringing The Phantom of the Opera into the gemstone, Whitney Houston apologized for her “croaky” voice in the midst of her European tour; a thought that never occurred to Carlotta. Jesse James is the only person I’ve ever heard of that owned two mini hand-painted coffins other than Eric, the Opera Ghost. A bomb was discovered in the theater district of New York City like the barrels and barrels of gun powder Eric had stored beneath the Opera House that he planned to explode at the height of a performance of Faust. The CEO of BP took a weekend away from the unparalleled disaster in the Gulf of Mexico to enjoy the pleasures of sailing different waters on his boat named “Bob.”

As I watched Louis’ abductors in Leap Year parade Anna’s intimate undergarments in the back room of Big Tom’s bar, the first person who came to my mind was Sandra Bullock. However, despite the play on words that journalists used to suggest Ms. Bullock had been blind-sided by Jesse James’ indiscretions, the details that connect the couple’s personal life to the gemstone of stories has nothing to do with adultery. And perhaps this in itself is important to remember.

On the other hand, in the week leading up to the FIFA World Cup Championship, a different story dealing with adultery gained prominent attention. A son was seeking a reprieve for his mother. Sakineh Mohammadi Ashtiani, a widow who’d confessed to adultery after being subjected to 99 lashes, had been imprisoned since 2006 and was condemned to death by stoning. She had exhausted the Iranian judicial system and was facing imminent execution. The young man was not alone in believing that an international outcry was her only chance to alter what seemed sure to happen.

The truth is that the Adultery and corresponding denials that were at the heart of my blog “No Sign Will Be Given except the Sign of Jonah,” have nothing to do with intimate relations between a man and a woman and everything to do with three exceptional journeys, One Great Game.

On July 8th, an article appeared on Today’s website titled, “A requiem for fallen — geese?” It was a real life story that included people named Foster Fell and Mary Sojourner. A memorial service for 109 geese was set to occur on Thursday evening on a bridge that spanned a river in a place called Bend, Oregon. Mary Sojourner was quoted as saying, "I understand that Park & Recreation thought there were too many geese, but I'm struck that the crimes of the geese that got them executed was basically defecating on the grass at Drake Park."

The scene is a cross between the cows that left piles of poo on the road in Leap Year and the goose in The Story of the Grail which was felled by the white falcon and left three drops of blood on the snow.

Friday, July 9th, a news article appeared announcing the 50th anniversary of To Kill a Mockingbird. As a reminder, the novel was among the five books referenced in Forrest Gump which served as the legend to the map that identified the path the gemstone would follow.

While I was being entertained by this sudden surge and variety of details finding their way into reality, Lynda Hill’s newsletter on the Sabian Symbols arrived in my inbox. (I’m beginning to wonder when these will start arriving via the clutch of an owl.) Sunday, July 11th, 2010 was not only the date for the FIFA World Cup Championship and the 50th anniversary of To Kill a Mockingbird, it was a day marked by a new Moon and a total Solar Eclipse that was due to begin at sunrise over Easter Island. (Read more: Lynda Hill's Newsletter)

If you’re not familiar with the Sabian Symbols, they’re considered an Oracle, a tool to interpret and give meaning to events that are happening. They’re words intuitively derived and randomly assigned to each of the 360 degrees of the Zodiac, a project conceived by astrologer Marc Edmund Jones and brought to life with the aid of a clairvoyant named Elsie Wheeler. In 1925 Marc took Elsie to Balboa Park in San Diego where she could find quiet and still be in close proximity to people in order to accomplish what needed to be done. Each Sabian Symbol can be likened to a short story that serves as a framework further shaping the energies of Sun, Moon, and the planets as they transit.

On Sunday, July 11th, the position or degree of the Sun was Cancer 20. The Sabian Symbol given to this degree is “Venetian Gondoliers in Serenade.” Because this was a day marked by a total Solar Eclipse, the Moon also passed through Cancer 20. However for a few short hours before the eclipse, the Moon was positioned in Cancer 19 whose Sabian Symbol is, “A Fragile Miss, Representative of Proud Old Blood, is Wed in a Marriage Ceremony by a Priest to an Eager Youth of the New Order.” Additionally, after completing its passage across the face of the Sun—like a slow kiss—the Moon lingered for a few more hours in Cancer 21 projecting the image of “A Prima Donna Singing.”

One doesn’t need to be an astrologer or knowledgeable in the traits that correspond to either the heavenly bodies or signs of the Zodiac to appreciate the picture that was being painted by the words. It was as if the heavens were reenacting the duet performed by the Phantom and Christine Daaé as part of the wedding ceremony of Anna and Declan.

The attendants to the ceremony were perfectly aligned. Venus on Virgo 2 contributed “A Large White Cross, Dominating the Landscape, Stands Alone on Top of a High Hill;” Neptune on Aquarius 29, “A Butterfly Emerging From a Chrysalis;” Chiron on Pisces 1, “A Crowded Public Marketplace;” Lilith on Pisces 2, “A Squirrel Hiding from Hunters;” Mars on Virgo 20 added “A Caravan of Cars Headed for Promised Lands,” while Saturn on Virgo 30 exerted energy in support of “Having An Urgent Task to Complete, A Man Doesn’t Look to Distractions.”

In hindsight, on January 12th, when the earthquake struck Haiti, Saturn was stationed retrograde on Libra 4:39, whose corresponding Sabian Symbol is "A Man Teaching the True Inner Knowledge of the New World to His Students." Saturn rules Capricorn. Its energy is slow moving and known for its longevity as well as its transformative powers. It governs our karmic responsibilities and our capacity to learn about life, in every aspect of our living. In her book, Retrograde Planets, Traversing the Inner Landscape, Erin Sullivan describes Saturn’s work like a pregnancy. It requires 9 months for it to complete its retrograde cycle.

In the movie Hitch, while Alex is in a bar playing a game of pool with his buddy whose wife is pregnant he asks, “So when is Grace due?” As a reminder, Grace is the meaning behind the name Anna. On September 5th, 2010 Saturn will return to Libra 4:39, the same place it was on January 12th and whatever was begun will have been completed. I sense an August rush of some kind in the offing.

Interestingly the "original" Polynesian name for Easter Island, Te pito o te henua, carries the meaning "The Navel of the Land." Pito means both navel and umbilical cord which was considered to be the link between the world of the living (kainga) and the spiritworld Po, lying in the depths of the ocean. (Wikipedia)

In terms of what’s been happening, Haiti is symbolic of the New World that’s being prepared. As a wise man once told me, you can’t build a home in the forest without first clearing the land. The idea is similar to “if you want to learn, you must first empty your cup.” Given the reality of the circumstances, the concept has been raised to a whole new level.

Sun rules Leo—the Lion, AND will power and ego. It’s the core of the potential and uniqueness belonging to each individual and holds reign on the main direction or course of our lives. The primary influence and Sabian Symbol for any given day corresponds to the position of the Sun.

The karmic condition of July’s new Moon is identified by the Sabian Symbol given to the day before which was Cancer 19, concerning the“Priest Performing a Marriage Ceremony.” The Quest is identified by the Sabian Symbol the day that follows, which was Cancer 21, “A Prima Donna Singing.” In the transition from Sunday to Monday—which incidentally are the “days” ruled by Sun and Moon—there was but “one voice.” Sun was both the Gondolier Serenading and the Prima Donna Singing. Redemption arrived with Venus in Virgo 3, “Two Guardian Angels Bringing Protection.”

With such potent images and Universal energies coming together, I got curious and began stepping backwards through the Sabian Symbols to see what was influencing the days leading into the weekend:

Friday, July 9th, the Sun was in Cancer 18: "A Hen is Scratching for Her Chicks."

On September 15, 2009 my blog opened with: “I think there must be a place where stories are kept, a world of their own where each is categorized by the intent with which they were initiated. Where the stories of our lives are woven together; where Sacred Stories gather the stories of their people like a mother hen gathers her chicks; and where the imaginative stories people create provide the threads that bind them all together.”

This place where stories are kept is called the Akashic Records, also known as the Book of Life or the Book of Names where every soul is registered.

Thursday, July 8th, the Sun was in Cancer 17: “The Seed Grows into Knowledge and Life."

In 1185, a minstrel performed in a crowded public market during the height of the summer Hot Fair in Troyes—a center of international trade and home to the Champagne court. The seed that became legend begins with words that convey the meaning of the “Parable of the Sower.”

He little reaps who little sows.
the man who wants good harvests strows
his seeds on such a kind of field,
God grants a hundredfold in yield;
on barren ground good seeds but lie
until they shrivel up and die.
So Chrétien sows, disseminating
this story he’s initiating,
and sows it on such fertile soil,
he can but profit by his toil.

Wednesday, July 7th, the Sun was in Cancer 16: “A Man Studying a Mandala in Front of Him, with the Help of a Very Ancient Book.”

Chrétien shall gain, since he has striven
at the command the count has given
and made endeavors manifold
to rhyme the best tale ever told
in any royal court: this tale
is called the Story of the Grail.
The count has given him the book;
now judge what Chrétien undertook.

The Seed That Became Legend

For the last 825 years, one portion of the population has been on a quest to find the Holy Grail while others have focused their attention on identifying “the book” that was put to rhyme. I don’t know if there was a book written by Abelard or Heloise that Eleanor put to rhyme, but I do believe that everything people have been searching for can be found in the gemstone’s details.

Beneath its 9,234 lines of octosyllabic rhyming couplets, The Story of the Grail is a collection of biblical stories brought to life by imaginary Arthurian knights whose words and deeds are embellished with details borrowed from reality. Woven into the conversations of the characters are paraphrases of a single line borrowed from a biblical story that’s different from the one being acted out. Furthermore, if the character who is speaking has an identity associated with the Old Testament, Chrétien de Troyes (Eleanor of Aquitaine’s pseudonym) provided him or her with words that came from the New Testament. And visa versa; a character whose biblical identity is aligned with the New Testament was given a paraphrase borrowed from an Old Testament story.

The strategy projects the image that the two portions of the Bible are being sewn together—into one big book. But the reality of the situation is that biblical stories have threads that cross-reference each other, Old to New and New to Old from start to finish, so whatever was done in the imaginative tale was an accurate depiction; there’s nothing new here.

  • Gornemant of Gohort instructs Perceval with a bit of wisdom borrowed from Solomon: “The wise man’s saying’s always been that 'Too much talking is a sin.'” (Per Frappier, this is taken from Proverbs 10:19)
  • When Perceval decides to leave the town of Belrepeire and search for his way back home, he tells the crowd if he finds his mother has died, he’ll have a service for her each year so God will let her soul abide "in the bosom of holy Abraham." (Hilka notes this is from Luke 16:22.)
  • During the procession of the grail at the Fisher King’s manor house, Perceval remembers what Gornemant taught and fails to ask two important questions. The storyteller himself interjects: “I fear he was not very smart; I have heard warnings people give: that one can be too talkative, but also one can be too still.” (Hilka cites Ecclesiastes 3:7)
  • After three days and three nights of celebration following the meeting between Perceval and Gawain, the knight Guinganbresil crashes the festivities where King Arthur is holding court and accuses Gawain of treason for unseating a king. He orders the knight to appear before the new King of Escavalon, who is far "handsomer than Absalom." The line refers to King David’s son as he’s described in 2 Samuel 14:25. (Hilka’s attribution)
  • In the town of Escavalon, Gawain and the sister of the king come under siege in a tower and she’s accused of being affectionate with the foul traitor. The maiden shrieks, “He came here by no secret way; he did not fly in here today! My brother sent him as a guest…. What objection can you have, if I gave the knight companionship, joy, and delight? 'He who would hear it, let him hear it.'”
Frappier and Hilka are considered experts on Chrétien de Troyes and have published their own books sharing insights into "his" writings. It was their commentary included in footnotes that put me on the trail of the story and for that I am indebted. But for all their scholarly work, the one paraphrase which was so obvious that even I could pick it out was completely overlooked.

There are slight variations of “He who would hear it, let him hear it,” that appear multiple times in the Bible: Matthew 11:15, 13:15, and 13:43; Mark 4:9, 4:23, and 7:16; and also Luke 8:8 and 14:35. Of these 8 occurrences, I chose Mark 4:9 as being the verse Eleanor had in mind as she was writing. And for the moment, you’ll just have to trust that I know where this story is going.

Not surprisingly, there are unwritten codes that one should follow when reading The Story of the Grail. For starters, leave no stone unturned, and dig deep. Follow every detail to its source and read what you’re led to in entirety.

In practice, while following the threads provided by the paraphrases, chapter 10 of Proverbs should be read from beginning to end, Luke 16 from start to finish, and the same for Ecclesiastes 3, 2 Samuel 14, and Mark 4.

Reminiscent to the five novels named by Winston Groom in the opening chapter of Forrest Gump, Eleanor puts words in the mouths of five different characters, each connected to a different chapter that are spread throughout a “single book.” However, instead of indicating the path to follow, the short stories and parables borrowed from the Bible provide a snapshot of where the real life story has been.

The Gospel of Mark brings additional meaning. Mark 4 begins with “The Parable of the Sower,” which shaped the opening words in the Prologue. The words “He who has ears to hear, let him hear” occur two times in this chapter. Sandwiched in between is a parable called, “A Lamp on a Stand.”

The image of the lamp occurs in Proverbs 6:23, Psalm 119:105, Matthew 5:13-16, Mark 4:21-23, Luke 8:16-17 and again in Luke 11:33-36. The words that describe it change from one to the other. The lamp in Proverbs is God’s commandment that becomes the light for one’s feet to illuminate the path in Psalms. When Jesus gave his sermon on the mountain as captured in Matthew, he said, “You are the light of the world. A city on a hill cannot be hidden.”

According to Mark, the lamp is a metaphor that should be placed somewhere to light the way for others. Then he added “For whatever is hidden is meant to be disclosed, and whatever is concealed is meant to be brought out into the open.” Luke repeated Mark’s initial words and in a different chapter elaborated on them: “Your eye is the lamp of your body. When your eyes are good, your whole body also is full of light. But when they are bad, your body is also full of darkness.”

Their words capture an evolution of thought which, in totality creates synergy; the result is not obtainable by any of them independently.

The Beginning and the End

Mark 4 is also special because the opening parable of the sower and the repeated paraphrase of "those who have ears to hear" literally ‘mark’ the beginning and the end of The Story of the Grail. The answer that brings closure to the legend can be found within the words spoken by characters in Escavalon. And whoever can hear, should listen up.

As an aside, Mark was the son of a woman named Mary, a widowed lady who lived in Jerusalem and hosted meetings in her home--we've been told--to perpetuate the teachings of Jesus. In his youth, he was directed to travel with Paul who served as his mentor. The Gospel of Mark is the only writing to proclaim that one of the signs that will appear when people truly believe, is they will take up serpents. (Mark 16:18 -King James Version)

Eleanor’s Third Nesting

In the twelfth century, people in Europe entertained the prophecies of Merlin which supposedly provided insights into the family of Henry II. One of the prophecies was, “The Eagle of the broken covenant shall rejoice in her third nesting." Some people believed that Eleanor was the Eagle, the broken covenant was the dissolution of her marriage to Louis VII, the King of France, and the third nesting was the birth of her third son, who was the first of her sons to actually assume the throne of England, though he rarely stayed long enough to keep it warm.

The prophecy is true, but from the beginning it was always given to "her." Eleanor gave her heart and soul to the King of kings during the fifteen years that her second husband, Henry II, kept her imprisoned. One might say that she was in bed with the Falcon. And she wasn't even a widow yet.

The five paraphrases in the Story of the Grail that symbolically stitch the Old and New Testaments together as well as establish placeholders for the beginning and the end of the story, serve to enlighten the audience with respect to Eleanor’s intent behind the work she put into the tale.

After reading the biblical chapters in entirety, the key is to summarize each or identify a single idea from each chapter that is unique and brings new meaning and then combine the statements in the same order as they were presented.

They come together like this: He who holds his tongue is wise. (Proverbs 10) But if the people don't listen to Moses and the Prophets, they wouldn't be convinced even if someone rises from the dead. (Luke 16) Who can bring them to see what will happen after, whether a man's spirit rises upward or whether his body merely turns to dust? (Ecclesiastes 3) I created the story to change the current situation, to cause you to think differently. (2 Samuel 14) Now, whoever has ears to hear, let him hear it! (Mark 4)

A Light unto the WorldEleanor took the parable of the lamp to task. But it’s the vision of "the city upon a hill" from the Sermon on the Mount which has been an inspiration to world leaders for hundreds of years who have passed it on in a refusal to let the light fade.

Ellis Island didn’t earn the moniker “Gateway to the New World” on its own merit.

In the year 1630, a ship called the Arabella dropped anchor when it arrived at the shores of a New World. Before anyone stepped off the ship, John Winthrop gave a sermon to the future inhabitants of Massachusetts Bay Colony. Whatever they created would be “a city upon a hill," watched by the world:

“The eyes of all people are upon us. So that if we shall deal falsely with our God in this work we have undertaken... we shall be made a story and a by-word throughout the world. We shall open the mouths of enemies to speak evil of the ways of God... We shall shame the faces of many of God's worthy servants, and cause their prayers to be turned into curses upon us til we be consumed out of the good land whither we are a-going.”

On January 9, 1961, John F. Kennedy recalled the phrase and breathed new life into it during an address before the General Court of Massachusetts as he was transitioning to his new position as President of the United States.

“It was here my grandparents were born–it is here I hope my grandchildren will be born.”

President Ronald Reagan used the image of the “city on a hill” in his 1984 acceptance of the Republican Party nomination; he’d already been President for four years and was hoping to be re-elected for another four years:

“Our opponents began this campaign hoping that America has a poor memory. Well, let's take them on a little stroll down memory lane.”

Like Luke in the Bible, Reagan used the image of the city on a hill a second time in an address broadcast to the nation. As I began to read his farewell speech given on January 11th 1989, considering all that’s been happening and what I perceive as the “voice of God” that arrives through the written words of other people, my heart sunk with his opening comments:

“One of the things about the presidency is that you're always somewhat apart. You spend a lot of time going by too fast in a car someone else is driving, and seeing the people through tinted glass — the parents holding up a child, and the wave you saw too late and couldn't return. And so many times I wanted to stop and reach out from behind the glass, and connect. Well, maybe I can do a little of that tonight. People ask how I feel about leaving. And the fact is, "parting is such sweet sorrow." The sweet part is California, and the ranch and freedom. The sorrow — the goodbyes, of course, and leaving this beautiful place.”

It’s not always easy to decide what the single most important statement is in a writing, particularly when there are so many good words to choose from. And as I read Ronald Reagan’s farewell speech, I looked for anything that would change my initial perception that this was “good-bye.” Perhaps it was his comment, “But life has a way of reminding you of big things through small incidents.” I have pages and pages of details from the gemstone that weave in and out of the events tied to July 11th.

Sometimes knowing ahead of time where the story is going is enough to keep a person on the right path. The good-bye and farewell don’t fit with the story that’s currently in bloom. They don’t bring anything to its synergy; they break it.

God isn't going anywhere. Quite the opposite in fact.

So I rejected the good-bye, just like Declan rejected Anna's offer to "not make plans." And instead I grabbed hold of the vision of "the city on the hill" provided in the closing paragraphs of Reagan's farewell.

“I've spoken of the shining city all my political life, but I don't know if I ever quite communicated what I saw when I said it. But in my mind it was a tall proud city built on rocks stronger than oceans, wind-swept, God-blessed, and teeming with people of all kinds living in harmony and peace, a city with free ports that hummed with commerce and creativity, and if there had to be city walls, the walls had doors and the doors were open to anyone with the will and the heart to get here. That's how I saw it and see it still.”

In the movie Invictus, Nelson Mandela calls an impromptu staff meeting on his first day as the newly elected President of South Africa:

“All I ask is that you do your work to the best of your abilities and with good heart. I promise to do the same. If we can manage that, our country will be a shining light in the world.”An Omen of Things to Come

There is a scene in the movie Hitch where Sara is in her living room watching Jerry Maguire on the television after her fight with Alex—a movie within a movie.

The scene is a classic. It's the moment Dorothy (Reneé Zellweger) tells Jerry (Tom Cruise), “Shut up! You had me at hello.” For our purposes, we need to capture this scene from its beginning. What has happened is Jerry and Dorothy rushed into marriage and just as quickly wandered apart. After struggling to get his business on track for the length of the movie, one Sunday afternoon everything falls into place like clockwork. Rod Tidwell (Cuba Gooding Jr.), the one football player who entrusted his future in Jerry's hands, is playing in an out-of-town football game. Despite a scare that lasts a few minutes, both of their dreams become a reality. While watching his star player handle the frenzy of the press, Jerry realizes the one thing missing from the moment and races to the airport then follows with a cab to Dorothy’s house. He enters the living room which is filled with women who are connected by their shared experiences of bad relationships with men. Dorothy is behind the couch, out of sight when Jerry says, “Hello. I’m looking for my wife.”

Dorothy rises slowly.

Jerry: Wait… If this is where it has to happen, then this is where it has to happen. I’m not letting you get rid of me. How about that? This used to be my specialty. I was good in a living room. And now I just….

Tonight... our little company had a very big night. A very, very big night.

But it wasn’t complete. It wasn’t nearly close to being complete.
I couldn’t share it with you.
I couldn’t hear your voice.
I couldn’t laugh about it with you.
I missed my… I missed my wife.
We live in a cynical world.
And we work in a business of tough competitors.
I love you. You... complete me. And I just—


In reality, July 11th, 2010 was a very, very, big day that spanned from Easter Island to South Africa and the heavens above... but nobody was aware of what was transpiring except God—and me.

A Mother Hen Gathering Her Chicks

In my last blog, I described how phrases that were repeated three times in The Story of the Grail formed a list of items that had to be remedied before the story would be considered finished.

The idea is similar to what Carter (Morgan Freeman) begins to prepare in the movie The Bucket List. Carter is a mechanic at the neighborhood garage. Edward is a multi-millionaire who invests in businesses—and mostly hospitals. They’re connected by terminal illnesses and six-month life expectancies. The bucket list is something they compile as a joint effort naming all the things they want to do before they die.

Their journey delivers them to winding paths that climb the Himalayas—the monarch of mountains and the measuring pole of the earth. The goal is to witness something majestic and in Carter’s mind, there is only one place on earth where that can be accomplished.

They stand in the doorway of a shelter on a smaller mountain that’s facing Mount Everest.

Carter: Would be a whole lot more majestic if we could see it.
Edward: See that old woman? Odds are we’re gonna be dead before her.
Carter: Happy thought.
Edward: Of course, she’s probably got reincarnation going for her, however that system works.
Carter: Ah, Buddhists believe you keep coming back. Moving up or down a level based on how you lived your life.
Edward: See that’s where they lose me.

Earlier in The Bucket List, before the two embarked on their travels, Edward is seen hanging his head over a toilet following a round of chemotherapy. He walks to the sink where he looks at himself in the mirror and says, “Some lucky guy out there is having a heart attack.” In reality, the actor Jack Nicholson makes a lateral move when he returns as Harry Sanborn in the movie Something’s Gotta Give. Just like Edward Cole, Harry Sanborn prefers being single, is wealthy, invests in businesses, has a male assistant that tends to all the details... and has a heart attack that creates an opportunity to change his life.

Carter, on the other hand, got the idea of making “a bucket list” during his freshmen year in college. A philosophy professor assigned each student the task of writing down all the things they hoped to achieve before they died. Carter admits he had youthful dreams: he wanted to be a millionaire and become the first black president, but he got his girl friend pregnant and his dreams came to an end. In reality, the actor Morgan Freeman returns in the role of Nelson Mandela, the first black President of South Africa in the movie Invictus, who is famous for his ideal that a nation can be brought together when inspired by a common goal... one that’s symbolized by the Rugby World Cup Championship set to be played inside Ellis Stadium, in Johannesburg, South Africa. The movie is based on a true story that happened 15 years ago.

In The Bucket List, Edward’s assistant gives Edward and Carter news that a storm is forcing a change in plans and it won't be possible to fly close to the mountain. Not until spring. They’d thought they covered every detail but neglected to take the season into consideration.

After digesting the disappointment, Edward says, “Well, maybe your mountain’s trying to tell us something.”

Carter looks at him, “What do you mean?”
Edward, “Well, maybe we’ve been gone long enough.”
Carter: Gone long enough? Gone long enough for whom?

They continue on with their journey, arriving in Hong Kong where Carter is shown sitting at the bar of a classy hotel talking with the bartender about the mountain, Chomulungma as the Tibetans call it, “Goddess Mother of the Snows.” A woman named Angelica approaches and corrects him, “'Goddess Mother of the World,' actually in traditional Tibetan translation.”

The two exchange stories. Angelica tells Carter what it was actually like on the mountain at 26,000 feet. “The sky is more black than blue because there isn’t enough air to reflect the sunlight. But at night, you’ve never seen so many stars.” “They’re like little holes in the floor of heaven.”

Carter: Did you hear it?
Angelica: Hear what?
Carter: I read an account of a man who made it to the summit and standing there at the top of the world he experienced this profound silence. It was like all sound fell away. And that’s when he heard it. The sound of the mountain… He said it was like he heard the voice of God.

In reality, in 1953 the first climbers to reach the summit were Tenzig Norgay and Edmond Hillary. They only stayed a short while, noting that at the top of world there is only enough space to accommodate two persons, maybe three if snow is moved out of the way.

Sun, Moon, and the planets have their own unique characteristics that influence the world, while the Sabian Symbols provide shape and form to their energy. As above, so below. Human beings have unique traits and abilities that they bring to the world which are given shape and form within the framework of the Sacred Story within which their soul develops.

Like the son a few weeks ago who tried to save his widow mother from being put to death, there has been a wrong interpretation of events that initiated the Sacred Story of the Bible.The framework of the story was skewed for lack of knowing the codes underlying Hebrew words the Master Storyteller unitized. The story initiated in the Garden of Eden now has an international audience, but the decision Eve made has been grossly misunderstood. Mark understood when we believed the true message of our Sacred Story, we would take up--become interested or engaged with the concept of-- serpents.

In mystical Judaism, the Messiah is "The Holy Snake." The Hebrew word Mashiach, or Messiah, has the gematria of 358 which is equivalent to Nachash, the name of the serpent in the story in Genesis. The message the Messiah was to deliver merely repeated what the serpent Nachash had already said. We don't truly die.

But it was the serpent Nachash who contributed something new and incredibly important to our story. He provided a glimpse to the outcome and provided Eve the opportunity to choose. Nachash told Eve that God knew when she ate the fruit from the Tree of Knowledge of Good and Evil, that she would become wise like the gods. She would have the vision of those who look upon us from the heavens above... the wisdom to know good and evil when she saw it. She then gave birth to good and evil and experienced it first hand.   

At this point, Eastern traditions encompass the paths provided to Buddhist and Hindu followers while the story of the Garden of Eden gathers all those who claim Eve's story to become wise like the gods as their ‘beginning.’

To the Master Storyteller, human beings are characters with a role to play in the Sacred Story they're born into, which provides a framework for their personal story, or soul, to evolve and develop.

The story that belongs to Buddhists is the Four Noble Truths. And anyone “developing” within its framework is guided to bring the Sacred Story into reality within their own life. They strive to escape suffering. Their vision rides a projectile from Earth to the sky above that might deliver them from the cycle of life and death and return to the One. They’ve always had their eyes on the heavens.

Eve’s desire to become wise like the gods established a perspective which was the opposite, as if looking from the heavens down towards Earth. The ‘hitch’ is the Master Storyteller didn’t think through all the details from start to finish before the story was initiated. Until we could raise our level of consciousness, we fared no better than Anna when she fell face first in a puddle of mud. God was behind us, out of sight and with a voice that could only be heard in the profound silence at the top of a mountain. In other words, we’ve been SOL for six thousand years.

Native Americans, just as all indigenous peoples on the islands and in forests, along the rivers, and in the plains, each have a Sacred Story that maintains harmony with Nature. Like the world of Pandora in AVATAR.

The combination of all the Sacred Stories maintains balance and synergy in the world. In our arrogance and ignorance we destroyed the harmony. Haiti was the first casualty of Western expansion. Not only have they waited long enough, but if we help them clear away the rubble that's been heaped upon them, perhaps they will be kind enough to teach us the ways in which we can find God everywhere we look.

In The Story of the Grail the sister of the King of Escavalon is accused of being affectionate with the traitor, reminiscent of rumors which have dogged Eve for millennia:

“Shame on you, woman, shame!” he flung.
“May God confound you; you’re disgraced
to let yourself be held, embraced,
and kissed, and cuddled, and caressed,
by him whom you should most detest!
Poor, foolish woman, good-for-naught,
you’ve done exactly as you ought …

Yet, if a woman did not sin,
you could not call her feminine.

Who hates the bad and loves the good
can’t be called ‘woman,’ for she would
be forfeiting her right to own
the name by loving good alone.
I see you’re a real woman too.

When woman can do as they please,
They go too far and do not care.”

The words that were spoken in Escavalon have no place in our Sacred Story, no matter how many times they're paraphrased and repeated.

A Very, Very, Big Day

I mentioned earlier that July 11th was a very big day. In reality, it was surrounded by significant details with ties to the gemstone and provides clues as to what we should be looking for:

July 10th - Excitement builds for 2010 FIFA World Cup Final. Headlines boast that Spain and the Netherlands are competing for the "Holy Grail." Read more

July 10th - Vegetables are losing their nutritional value... Read more

July 6th - Satellites to track space debris... Read more

July 7th - Brutal heat wave hits East Coast. Read. (Declan did say, "We're gonna heat things up.")

July 10th - Soccer fans shun hookers for art. CNN.com with Photos - See and Read
  • World Cup - Cash Cow Nowhere to be Seen (Hookers complain)
  • World Cup - Apartheid Museum - a look at the past
  • World Cup - Art Gallery
  • World Cup - Family and a Fish Dinner - togetherness, a meal on a pier
  • World Cup - It's a Long Haul Trip
July 10th - Older news gets front page coverage: Mayan pools are explored. Divers burrow into the bottom of a mini-lake and recover ancient artifacts. (In The Last Templar, the display at the MET followed the Mayan show while in the novel the ancient astrolabe was recovered at the bottom of a man-made lake.)

July 10th - Haiti Hospital Woe's Show Challenge of Recovery: "It was a simple problem- with a novel solution." Read more

July 10th - Portrait of Mandela sparks debate - "Yiull Damaso has said that the picture is designed to show South Africans that although Nelson Mandela is a “great man” he is “just a man” who will eventually die." Read more

July 11th - Haiti recovery paralyzed 6 months after deadly quake. Read more.

July 11th - Keeping Haiti in sight. Read more.

July 15th - Most countries fail to pay pledges made to help Haiti. United States pledged $1.15 billion for reconstruction. Amount paid to date: $0. Read more.

July 16th - Freight Train? Thunder? Holy Cow! Earthquake hits D.C. Read more

July 15th - Iroquois lacross team denied access to first game of the sport's World Championship, a sport they shared with the world Read more

July 11th - the day is marked by a total Solar Eclipse that can best be viewed on Easter Island, which got its modern name from a Dutch explorer who arrived on its shores on Easter Sunday in 1722. He was looking for David's island. For the history of Easter Island read; for Easter Island's FIFA Match of the Century read. (As a worthy exercise, both sources are filled with details that connect Easter Island to the gemstone.)

July 11th - In Pensacola Beach, Florida, Angels cure oil blues. The Blue Angels perform in air show. Read more

July 3rd - "A Whale," the biggest oil eating ship in the world arrives in the Gulf. Read more

July 11th - MSN.com front page photo with caption: No More Crying Over Spilled Coffee: "Hate it when the party's spoiled by a spill. Well stop that fussing..." It was an article about spilled coffee, but with a little imagination, it had everything to do with the Youtube.com clip on the "BP Coffee incident." Watch

July 19th - By all appearances, the latest cap is successful but "tests on the ruptured BP well in the Gulf of Mexico will go on for another 24 hours as federal and company officials try to explain "anomalous" pressure readings and possible leaks. The readings are significantly lower than what they expected... Read more

July 7th - Some 27,000 Abandoned Wells in the Gulf... Read more

July 6th - BP the Board Game... Read more

July 11th - World Cup fervor inspires racial harmony. Will it last? Read more.

July 11th - FoxNews.com Photo Gallery See it - photo captions:
  • World Cup - All the buzz
  • World Cup - Setting Sun
  • World cup - Blow your Horn
  • World Cup - Polite Reception -"Thank you South Africa"
  • World Cup - Fish Story - Paul the Octopus
  • World Cup - Take the Stage
  • World Cup - Helping Hand
  • World Cup - Hat the Ready
  • World Cup - Power Suits
  • World Cup - Pretty as a Picture
  • World Cup - Stage Presence
  • World Cup - Lap of Honor - Nelson Mandela
  • World Cup - Vocal Vixen
  • World Cup - Shake It
  • World Cup - Stomp It Out
  • World Cup - Grand Stage
  • World Cup - Dance Party
  • World Cup - Winning Team
July 11th - FoxNews.com Photo Gallery - photo captions: See it
  • World Cup - Group Therapy
  • World Cup - Such Pageantry
  • World Cup - Red Fury
  • World Cup - Orange Crush
  • World Cup - Pau-er Play
  • World Cup - Idiot Patrol
  • Word Cup - Man Down
  • World Cup - Out of My Way
  • World Cup - Up and Running
  • World Cup - Face Time
  • World Cup - Caught in the Webb
  • World Cup - Marteen on the Spot
  • World Cup - Air Apparent
  • World Cup - Yellow Peril
  • World Cup - Off Center
  • World Cup - Say Ankle
  • World Cup - Who's the Boss
  • World Cup - Red Worthy
  • World Cup - Up for Grabs
  • World Cup - Slide Into It
  • World Cup - Action Hero
  • World Cup - Stay the Course
  • World Cup - Don't Lose your Head
  • World Cup - Over the Top
  • World Cup - Missed Opportunity
  • World Cup - Talk is Cheap
  • World Cup - Not Close Enough
  • World Cup - Ugh
  • World Cup - Piggy Back
  • World Cup - Get Over There!
  • World Cup - Forget It
  • World Cup - High Jump
  • World Cup - Head Shot
  • World Cup - Replacement
  • World Cup - Seeing Red
  • World Cup - Goooooooal!
  • World Cup - Get in the Net
  • World Cup - More than Words
  • World Cup - What's Up?
  • World Cup - It's Ok
  • World Cup - Yeah!
  • World Cup - Touching Moment
  • World Cup - Smile!
  • World Cup - Golden Touch
  • World Cup - Make a Run
  • World Cup - Hug it Out
  • World Cup - Oh, pretty
  • World Cup - Consolation Prize
July 11th - Game On - Fan holds Spanish flag in front of a setting Sun. The Spanish flag features a coat of arms with a crown resting on pillars of Hercules. Red banners display the motto "Plus Ultra" meaning "More Beyond," alluding to Columbus' discovery of the New World. The two columns flank a shield that displays a castle, a lion wearing a crown, red and yellow stripes, and three fleur-de-lis (the sign of the Holy Grail in The Da Vinci Code) in an oval in the center.

July 12th - Spain by the Numbers: Spain wins the Final match in extended 
time, only goal is made in the 116th minute, final score 1-0. (Don't for a moment think the score pertains solely to the Dutch opponent on the football field. In Leap Year the score was Declan 1, chicken nil). At the final whistle, the Spanish players hurried to swap their blue shirts for their more familiar RED colors in time to collect their trophy. They were the 8th nation to receive the honor in the tournament's 80 year history. Read more

July 11th - Spain Exemplifies Winning Formula: the delicate touch paid off as it overcame the brute force of Netherland's team. Read more

July 11th - Bob Sheppard, legendary Yankees announcer, nicknamed "the voice of God," whose voice spanned half a century died today with his wife Mary at his side. His voice however will live on... Read more

In the role of Leigh Anne Tuohy, Sandra Bullock said she would never wear orange - it wasn't in her color wheel. And unfortunately for the Dutch, their uniforms are orange.

July 10th - Running of the bulls in the French Quarter of New Orleans begins with a Spanish tapas dinner... Read more

The Story of Ferdinand, which has a place in The Blind Side, was written by American author Munro Leaf and illustrated by Robert Lawson. It's about a bull that would rather smell flowers than fight in bullfights. Ferdinand sits in the middle of the bull ring failing to take heed of any of the provocations of the matador and others to fight. The book was released nine months before the outbreak of the Spanish Civil War. Leaf said he wrote the story on a whim in an afternoon in 1935, largely to provide his friend a forum in which to showcase his talents. (Everything Leigh Anne Tuohy did per the movie The Blind Side, she did to help someone else.) The landscape in which Lawson placed the fictional Ferdinand is more or less real. Lawson faithfully reproduced the view of the city of Ronda in Andalusia for his illustration of Ferdinand being brought to Madrid on a cart: we see the Puente Nuevo—New Bridge—spanning the El Tajo canyon. The Disney movie added some rather accurate views of Ronda and the Puente Romano—Roman Bridge—and thePuente Viejo—Old Bridge—at the beginning of the story. The story was set to incidental music in "Ferdinand the Bull" by classical composer Mark Fish. It was also adapted, in 1971, as a piece for solo violin and narrator by the British composer Alan Ridout. Singer-songwriter Elliott Smith had a tattoo of Ferdinand the Bull, from the cover of Munro Leaf's book, on his right upper arm, which is visible on the cover of his record either/or. Smith's song "Flowers for Charlie" can be seen as a somewhat abstract retelling of the book from Ferdinand's perspective. The rock band Fall Out Boy named their third album From Under the Cork Tree after a phrase in the book. Richard Horvitz commented that fellow actor and friend Fred Willard performed this story as a 5th grade class play when Fred was a child. Ferdinand made an appearance in the 1997 film Strays, a Sundance favorite. Ferdinand again appeared in the 2009 movie The Blind Side, the story of Michael Oher, with a similar metaphorical message. According to one scholar, the book crosses gender lines in that it offers a character to whom both boys and girls can relate. The short film is broadcast in Sweden every year on Christmas Eve as a part of an annual Disney Christmas show. (Wikipedia)

Spain has a player on their team whose first name is Jesus (Navas).

In the movie Invictus and in the real life Rugby World Cup match 15 years ago, the force to recon with was Jonah (Lomu).

With a little imagination one can make a connection between the names Shakira (the entertainer), Sakineh (the woman sentenced to death in Iran), and Shekhinah which is "a visible manifestation of the divine presence as described in Jewish theology" or "God among the people."

July 11th - Nelson Mandela makes an appearance at the closing ceremony of the World Cup. Read more.

July 11th - Historians locate King Arthur's Round Table, capable of seating far more knights than ever thought... Read more

July 11th - Mythical unicorn found in Italy... Read more

July 13th - Paul the Octopus who was hailed an "Oracle" is retiring after correctly predicting the outcome of eight World Cup matches in a row. Paul had all the characteristics of God that are found within the gemstone: the face that Handel saw when he was composing Messiah, the hand (8 of them!) that supposedly aided Diego Maradona, and the voice from the Mountain that is heard only in profound silence. Read more.

July 21th - "Whale of a Tale!" On Sunday (the "octave" of the FIFA World Cup Final) a 40-ton whale landed on a yacht sailing near the infamous Robben Island off the coast of South Africa. A couple watched the whale flipping its tail for half an hour before it went under the water. They didn't realize they were on a collision course. The man told the woman, named Paloma, to go over to the other side. Then the whale jumped. She ducked behind the coach house; he hid behind the wheel as the whale crashed into the boat. Both watched as the mast fell. The couple were able to sail back to Table Bay Harbor and only later that night realized how lucky they were to be alive. Read more

July 22nd - Sun enters Leo, "The King of the Zodiac" Fun Facts

The movie Invictus is named after a poem of the same name. William Ernest Henley wrote the poem from a hospital bed in 1875, not long after his leg was amputated below the knee to fend off a disease that had progressed to his foot. The title Invictus is Latin for "unconquered."

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tear
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate;
I am the captain of my soul.

There are two thoughts from the film that bring meaning and significance for where the story is at this moment in time. In order to build camaraderie and national support of the rugby team, Mandela requested that the Springboks schedule clinics where the rugby players could interact with youth. At their first outing to an impoverished neighborhood, François tells the boys “…the first rule of rugby is you can only pass the ball backwards or sideways."

On July 12, 2010 Fox News reported, “A Somali terrorist group tied to al Qaeda reveled in the tears and blood they spilled in Uganda as they claimed responsibility for simultaneous bombings that tore through World Cup parties, killing 74 people…” Read more.

This group of terrorists chose to connect their actions to our very, very big day. But they're clinging by a very, very, very thin thread. There is NO place in our story for people who boast that others' tears puts a smile on their face.

Per Ecclesiates, there is a time to kill. But there is also a time for peace and joy in like measure to the hostilities and pain we have all shared. As Nelson Mandela told the people of South Africa, "throw your weapons into the sea." (Metaphorically speaking! Our journey has already been given a glimpse of the miles and miles of garbage floating in both the Pacific and Atlantic oceans.)

At the moment I seem to be carrying the ball, but there's nobody I can pass to sideways... and there's only God behind me. Well... "Game on."

In Invictus, on President Mandela’s first day in office, a news anchor is shown on the television broadcasting all of the problems that the country of South Africa is facing. François Pienaar (Matt Damon) is the captain of the Springboks. He’s sitting in the living room of his father’s house. The father turns the television off and says, “I never thought I’d see the day. I feel sorry for you son. You’ve got your whole life ahead of you. What’s it gonna’ be like now?”

On July 16th, Jesse James was back in the news. Journalists were commenting that he had hit rock-bottom and was now embroiled in a custody case concerning his 6-year-old daughter who happens to be named Sunny. The papers report that Sunny has been “acting out.” The issue currently before the court revolves around Jesse James' desire to relocate and move Sunny to a place where she can remain close to those who have been there for her, from day one.

The first time Declan showed compassion for Anna he said, “A father is someone you should be able to rely on, you know.”

Everything that's been happening is about what's in the best interest of the children.

But if you must put yourself first, remember we are all the children of tomorrow and in this particular story, a soul only moves sideways, returning to someplace it left off, or backwards—which actually raises one's perspective.

Where are we in our journey? As Alex said, "three dates seal the deal." If there is only one idea or vision that can be used from each of the dates, this is how they come together: the sheep that were nervously running around on stage in The Phantom of the Opera following the hanging of Joseph Buquet became the ewes that were pregnant during the celebration of Lá Fhéile Bríde in Leap Year... which gave birth as the Sun rose over Easter Island on July 11th, 2010.

And the Lion has arrived to lay down with the lamb.

Jesse James, I have a message for you: "No matter what happens, no matter how far you think you've fallen, there is always a hand extended... and rest assured, God will always have your back."

Now... about those "17 stories" that rise above the stage. The rules of numerology require that 17 be reduced to a single digit, while the number 8 when looked upon from a different angle becomes the symbol for infinity. And good thing, because as you might have gathered, my list of movies that are woven together is growing exponentially.

Friday, June 4, 2010

No Sign Will be Given Except the Sign of Jonah; Consider it Done.

The morning of May 28th I felt a bit like “Anna from Boston” in the movie Leap Year. Anna puts everything she has on the line and returns to Ireland only to have Declan walk away from her offer and close the door behind him. She rushes out of his pub to the shorn cliffs and is seen staring out across the ocean with tears in her eyes. Anna looks exactly as I might have felt if I hadn’t followed the details and threads woven through the movie. The tagline given to its preview is, “When life surprises you. Don’t be afraid to take a leap of faith.”

I wasn’t looking for or even considering another story in the days after posting my blog, “The Point of No Return.” I was waiting to see what would happen. But Leap Year found its way into my home accompanied by an invitation to watch it. My interest was piqued as rings were exchanged, with one given and one taken. And in short time, the legacy of the emerald ring in The Story of the Grail, which has ties to Ireland, was again beckoning me to follow.

The old codgers in the movie, who are always quoting superstitions, can’t agree on whether it’s bad luck to start a journey on a Friday, or a Saturday, or a Tuesday, and neither on a Sunday or when there’s a full moon. I made note of all the days they mentioned . . . just out of curiosity.

Given the movie’s name and general synopsis, Leap Year would have been perfect for a true leap year, with a release date hovering around February 29th. Simple observation confirms 2010 isn’t a leap year according to any calendar . . . not by the Gregorian calendar or the Hebrew calendar which includes a more complicated leap year cycle of 19 years. But there's a whole lot more to this story than what meets the eye.

Interestingly, the Hebrew calendar is based on astronomical events: a day begins at sundown; each month begins with a new moon; and the New Year arrives with the seventh month. Rosh Hashanah, the first day of the New Year, never falls on a Sunday, Wednesday, or Friday to ensure that Yom Kippur never directly precedes or follows Shabbat, nor does it fall on a Saturday because it would interfere with the holiday observances. Since holidays fall on the same “date” each year, the Hebrew calendar is routinely adjusted with “days” or an extra month to align what’s happening on earth with the heavens above.

There is no doubt in my mind that the spectral genius is again working behind the scenes. And very likely without the knowledge of Deborah Kaplan and Harry Elfont—the writers—or other persons whose creative skills were used to bring this movie to life. What’s happening is reminiscent of the scene in The Phantom of the Opera when Christine Daaé sings, “I am the mask you wear” and the Phantom responds, “It’s me they hear.” Only this time, the performance arrives without the duet.

Leap Year bears the signature of the ghost, an imprint of strategies that has maintained a presence throughout the gemstone collection. Just as Winston Groom’s Forrest Gump mysteriously included details belonging to novels decades before they were published—an oddity that someone could attribute to a long lasting conspiracy if they wanted to—Leap Year is also woven with details that hadn’t happened before it arrived in theaters. But the particular details I’m referring to are something for which no group of human beings could be capable of bringing about.

An Imaginary Tale Whose Details Find Their Way Into Reality

Anna is a young woman who anticipates a marriage proposal that doesn’t materialize. She’s reminded of an old Irish folklore tradition—and family myth—that says a woman can propose to a man on the 29th of February. Spurred by the moment, Anna packs her bags and follows her boyfriend Jeremy from Boston to Dublin, Ireland where he’s attending a cardiology conference that happens to be scheduled over leap day.

In the course of Anna’s travels, her trans-Atlantic flight encounters turbulence. The flight is diverted to an airport in Wales as the Dublin airport is closed by a threat of nature. Later in the movie, a hailstorm pelts her with hail the size of golf balls.

In the real world, during the weeks that followed the movie's arrival to the gemstone, flight 935 departed London’s Heathrow Airport on May 25th bound for Los Angeles International Airport, but experienced severe turbulence over the Atlantic and was diverted to Montreal. In mid May the Dublin airport and several others in the region were again closed due to the ash cloud produced by the volcano Eyjafjallajokull. A “hailstorm from hell” ravaged Oklahoma City on May 16th, 2010 with hail some witnesses claimed ranged in size from golf balls to bowling balls.

However, it's the big events that aren’t named or specifically described in Leap Year that are of interest; they’re simulated with subtle details. On her first night in Dingle, Anna attempts to reach an electrical outlet behind her bed. She rocks the frame and it slides across the floor, ramming an armoire that tumbles forward and spills its contents. After a brief pause, the curtain rod fails, the drapes drop, a lamp falls, and an empty wine bottle shatters on the floor.

The first big jolt created by the collision of the furniture causes a small amount of dust to fall from the ceiling in the pub below. The smaller incident brought on by the falling drapes and breaking bottle gives the appearance that the pub’s entire ceiling is about to come down on the patrons. When Anna plugs her BlackBerry into the socket, sparks fly and a fuse is blown. Moments later, a view from the outside shows a much larger flare rising above a building and the entire area is darkened. Declan accuses Anna of frying the entire village. The following morning Anna hires Declan to drive her from Dingle to Dublin. They begin their journey on February 27th. An incident triggers Declan to stop halfway up a hill; when Anna leans against the front end of the car to clean cow poo off her shoes, the vehicle begins to roll backward, stopping only when it careens off the edge of the road and lands with a big splash in a pond.

In the real world the 7.0 earthquake in Haiti occurred four days after Leap Year premiered in theaters and produced apocalyptic type damage. The 8.8 earthquake in Chile was far less destructive and occurred February 27th, the same date that Anna and Declan begin their journey to Dublin. The eruption of Eyjafjallajokull that began in April created a crisis in air transportation, causing travelers to rely on ferry schedules. On May 27th (the day I suggested Cumbre Vieja would erupt, triggering a tsunami across the Atlantic) the Pacaya volcano in Guatemala erupted, frying “some 800” homes in a nearby village; a 7.2 earthquake rocked Vanuatu and a regional tsunami warning was issued in the South Pacific. The details of the day also tied events to The Phantom of the Opera as President Obama referred to the barrels and barrels of oil spilling into the Gulf of Mexico as an “unparalleled disaster” and told coastal residents, “you are not alone.” Just like Christine Daaé sang to the Phantom.

Common Threads With Other Stories

The incident related to Declan’s car sliding down a hill and falling into a pond with a big splash—reminiscent of the chandelier the Phantom cuts loose that crashes to the stage of the opera—is the only mishap depicted in the movie that hasn’t yet happened in reality.

Leap Year employs details to create metaphors which are used like ancient parables, a savvy way to engage the imagination of the audience to maneuver around difficult subject matter. But there’s more here than lessons to be learned. Something very personal is being communicated, with a confidence that only comes from one able to see the world from a mighty high observation point. The movie lays down the law, leaving little room for interpretation. Just like God provided Moses with the Ten Commandments after the incident that involved holding the waters back so many years ago.

The cover of the DVD claims Leap Year is “Delightfully Funny.” Then, there is the other side that portends a message that is deadly serious. “We’re praying that one day we’ll be able to have a son and heir to keep the family name going.” With the flip of a coin Declan buoyantly states, “Heads I win; tails you lose.”

In the midst of a shower, Anna realizes the terms of the coin flip and comes storming out towards Declan, who smiles and says, “You finally got that, did you? Good for you.”

I mentioned earlier that Leap Year displays familiar strategies that have been present throughout the gemstone collection. It’s like the last offspring in a long line of family members who’ve each contributed a piece of DNA, but mostly it’s the child that would result if Forrest Gump commingled with The Story of the Grail as it provides another map telling where the story goes from here, interwoven with threads that lead to stories in the Bible.

Many of the threads in previous discussions that took us to The Story of the Grail stopped at the Wondrous Palace where Gawain has been made lord after surviving a sit upon the Wondrous Bed. Gawain’s adventures account for less than half of the medieval tale. The story about the grail actually begins with a boy, raised as an only child in the forest, who encounters a group of knights—something he’d never seen before—and decides he wants to become a knight himself. While Mother helps him pack to go in search of King Arthur, she gives him advice he would do well to follow. Among her shreds of wisdom, she tells him:

Dear son, I’ll say another thing:
on roads or at an inn, it’s wrong
to be with someone very long
without first asking him his name.
When all is said and done, they claim
that by the name you know the man.

In the early part of The Story of the Grail, the boy remembers what his mother taught. If he finds he’s with someone very long, he asks them for their name. But more than 3,570 lines of the story pass before anyone reciprocates leaving the audience to contemplate who he is. All we have to rely on is our own careful observation of intangible qualities provided through conversation and conduct in order to identify his character.

As the youth continues on his journey, a detail given in one scene follows him into the next scene. For instance, when the youth comes upon a maiden in a tent, he recites the rules his mother gave him in the forest. When he meets a charcoal burner on the path, he cares not a penny for what the man has to say, just as he cared not a whit about the maiden’s words in the tent. When he arrives at Gornemant’s castle he is wearing the Red Knight’s armor that he had acquired at King Arthur’s gate and retells the story of how he retrieved them. Finally a maiden sitting beneath an oak tree asks the all important question. “Not knowing his real name at all, he guessed his name was Perceval of Wales and said so …”

Signature Strategies of the Master Storyteller

As an aside, within The Story of the Grail events or actions that are repeated three times indicate an approaching turning point in the story. Words or phrases repeated three times that name something that needs to be accomplished or corrected—such as discovering who is served by the grail or answering the question of why the lance at the Fisher King’s manor house always has a drop of blood forming at its tip—always pertain to a person and must be remedied before the story is considered finished. No promises could be left unfulfilled; no destiny unmet. Words or phrases that are repeated twice—and not three times—reveal the path of God. And there’s a very fine line between the path of God and characters in the story; actually the two appear inseparable. God can be “seen” in the choices that are presented, while the individual is required to make their own decision . . . and then they’re held accountable in like measure to their intent and actions.

At the end of my blog “The Point of No Return,” I included a line from The Story of the Grail: “God is all goodness and your Saviour.”

In the movie Leap Year, Declan calls Anna ‘Bob’: “Suits me Bob!” He does it more than once. She throws back “And what is this ‘Bob’ thing?”

Raising questions and leaving them unanswered is a ploy of the genius at work. It’s the way He identifies something the audience should pay heed to. And in this case, the payoff comes with looking up the meaning of names.

The meaning of the name Declan is “one full of goodness.”

Declan is God personified in the story. Each of the gemstone stories has a character who is God incognito.

In Leap Year the meaning behind all of the characters’ names adds depth and impacts the message the story conveys:

Anna is a Hebrew name meaning “Grace”
Jeremy (Anna’s boyfriend) is a Hebrew name meaning “God will raise up; God will set free”
Edith (manager of The Davenport) is English and means “Prosperous in war”
Libby (Anna’s friend) has roots in Hebrew, Greek, and English. Regardless of the source it means “My God is a vow”
Jack Brady (Anna’s dad) is Hebrew and means “God is gracious”
*The only meaning I could find for the surname Brady refers to the television family The Brady Bunch, accompanied by the remark that it was a large blended family.
Charlie (realtor) can be German, English, or French and means “Free man”
Seamus (1 of 3 patrons of the bar who are always providing their opinion) is both Hebrew and Gaelic: the name means “the supplanter.” One who replaces one thing with another via strategy.
Joe (2nd of the 3) is Hebrew, meaning “He will enlarge”
Donal (3rd of the 3) is Gaelic and brings with it “World Rule”
Bob (Declan's nickname for Anna) Germanic, means "Bright fame."
Eoghan (bartender at Tom’s Bar) is Gaelic, meaning “Born from the yew tree, youth”
Frank (station master in Tipperary) has multiple meanings depending on its source: Germanic implies “javelin”; Latin, “free”; and English, “honest”
Eileen (Frank’s wife – runs the B&B) is English or Gaelic and means “pleasant”
Stefano (Italian guest at the B&B) is Greek and means “Crown”
Kaleigh (Declan’s former fiancé) is Gaelic; she is the “keeper of the keys”
Ryan (Declan’s former partner who ran away with Kaleigh) is both Gaelic and English and means “Little King”
Tom (Tom is the repo man. Unrelated, Big Tom’s bar is where the thieves are spotted) in Aramaic it means “Twin,” in Hebrew it means “Honesty or innocence”
Alex (a cook at the Caragh) is Greek and means “Defending men”

Beryl is one of the ground agents at the airport in Wales who Anna attempts to convince of the importance that she reach Dublin in time for leap day. The name Beryl means “blue-green.” It is a gemstone named in four verses in the Bible.
  • In Exodus 28:17 and 39:10, beryl is placed on the first row of the breastpiece for making decisions that Moses and Aaron are instructed to build.

  • In Revelation 21:20, beryl decorates the 8th foundation of the city walls that surround New Jerusalem.

  • In Ezekiel 28:13, the LORD rails against the King of Tyre who was once the model of perfection: “You were in Eden, the garden of God. Every precious stone adorned you, ruby, topaz, emerald, chrysolite, onyx, and jasper, sapphire, turquoise, and beryl. Your settings and mountings were made of gold; on the day you were created they were prepared. ” (Note: This is also the verse that I discovered while searching for the meaning behind the emerald ring and determined it was actually the basis for the grail at the Fisher King’s manor house.)
A Story Within a Story Within a Story...
Leap Year begins with an anthology of moments showing a day in the life of Anna. She meets a client, interviews for an apartment, waits at a bar for her father, expands on an answer in the interview, is fitted for a dress, checks the clock at the bar where she’s still waiting, etc. The activities are not precisely in sequence, giving the perception that everything is happening simultaneously.

Likewise, when Anna arrives in Dingle and wanders into the Caragh—the inn owned by Declan—the patrons in the bar take notice and try to guess where she’s from. “Australian” “South African.” Anna sets them straight, “Actually, she’s American. Anna from Boston. I just need someone to tell me how to get to Dublin from here. Is there a bus maybe or something?”

The men quibble about the year when bus and train service to Dublin ended. In truth, if public transportation doesn’t exist, it doesn’t matter when it stopped. The onus is placed on things that have happened, should happen, or didn’t happen . . . regardless of the year.

What isn’t obvious in casual observation is that like the various moments from scenes in the introduction, the movie itself is comprised of multiple stories seamlessly woven together and being played out simultaneously. Most of them are introduced with words intended to strike a chord of familiarity with the audience.

Anna’s entrance in the Caragh occurs just as the moral of a story is being told: “You can take a man out of a fish, but you can’t take the fish out of the water.”

The first part of this statement brings to mind the image of Jonah sitting in the belly of a fish. In the story that’s come down through the ages, the LORD calls upon Jonah to proclaim judgment against the town of Nineveh because the people’s wickedness had come before Him:

Jonah wants no part in the task and decides to flee from the LORD instead. He travels to Joppa, where he boards a ship bound for Tarshish, a city in the opposite direction. While at sea, a violent storm forms and tosses the ship about. The sailors cry out, each to their own god, but nothing calms the sea. The captain discovers Jonah asleep below deck and wakes him, asking him to pray to his god, so that they might not all perish. The sailors decide to cast lots to determine who is responsible for the storm and the lot falls on Jonah. Jonah had previously told them he was running from the LORD. When he answers their questions telling them he is Hebrew and worships the LORD, the God of heaven, who created the land and the sea, they become terrified. Their terror is met by waves that grow stronger and rougher. They then ask Jonah what needs to be done to correct the situation and calm the waters. He tells them, “Throw me into the sea, and it will become calm.” At first, the sailors couldn’t bear the thought of doing such a thing knowing that Jonah would meet certain death. But the sea grows wilder than ever. They pray to Jonah’s LORD asking that they not be held accountable for what they’re about to do. Then they toss him overboard . . . and suddenly the raging sea grows calm. Unbeknownst to the sailors, the LORD has his own plan for Jonah. He provides a great fish to arrive precisely when and where Jonah is tossed into the raging waters. The fish swallows him and for three days and three nights Jonah is inside the fish’s belly. During this time he prays to the LORD, repenting his disobedience and asking for mercy. The LORD then speaks to the fish, bringing it to dry land where it then vomits out Jonah. After he is saved, Jonah is again asked to prophecy against Nineveh because of their wickedness. This time he agrees to do as the LORD asks. When he arrives in the city he proclaims, “Forty more days and Nineveh will be overturned.” The people believe the LORD’s word and turn from their evil ways. When the time comes, the LORD has compassion for them and decides not to bring about the destruction he had threatened. Given all that he had personally been through, Jonah isn’t happy by this turn in events. He asserts that since the LORD is merciful, it was inevitable that He would turn from the threatened calamities. Jonah leaves the city and builds himself a shelter and waits to see whether or not the city will be destroyed. The LORD causes a plant to grow over Jonah’s shelter providing shade for him. But then the LORD causes a worm to bite the plant’s root and it withers. Jonah is left to suffer in the heat and full exposure to the sun. This time he begs the LORD to take him out of the world. The LORD says to him, “The good is what you are angry at! And you are upset about this little plant. Something for which you have not worked nor helped in making it grow. It grew overnight and died the next day. Should I not be more concerned about Nineveh, this enormous city? There are more than one hundred twenty thousand people in it who do not know right from wrong, as well as many animals.”

It’s a Hebrew tradition to read Jonah’s story aloud every year on Yom Kippur, the Day of Atonement, in its original Hebrew language and in entirety. Those present are reminded that when Jonah was praying inside the great fish he named the 13 traits that belonged to the LORD. However when he reached the last one, he replaced “Truthful” with “… and who is willing to forgive the bad.”

When Jesus was asked by the Pharisees to produce a miraculous sign, he responded, “An evil and adulterous generation asks for a sign, but no sign will be given to it except the sign of the prophet Jonah. For just as Jonah was in the belly of the huge fish for three days and three nights, so the Son of Man will be in the heart of the earth for three days and three nights. The people of Nineveh will stand up at the judgment with this generation and condemn it, because they repented when Jonah preached to them—and now, something greater than Jonah is here!”

Jonah's Story, Told in a New Setting

In the movie Leap Year, Jonah’s story takes hold in the barbs that are exchanged between Anna and Declan shortly after their first meeting. Just before the Renault slides backwards down the hill and crashes into the pond with a big splash, Anna and Declan encounter a herd of cows that are blocking the road. Declan sits on the side of the road eating an apple while Anna gets in the middle of them, “Hi, cows. Look, I have spent the past 24 hours in every level of hell, and I'm not going to let your black and white asses drag me any further, so if you know what’s good for you, you’ll move.”

Towards the end of the first day of their journey they finally begin to work through their differences in a garden behind the Bed & Breakfast in Tipperary. Declan shows compassion for Anna. Anna later shows mercy for Declan. The second day of their travels is highlighted by a wedding ceremony and reception that they crash.

Anna unintentionally spoils the bride’s big day. She deals with it by leaving the celebration and getting drunk on the shore of a lake. When Declan joins her and suggests they continue on their journey, she stands up and vomits on his shoes.

When they finally arrive in Dublin, Declan tells Anna about his mother’s Claddagh ring and the girl who ran off with it. Claddagh rings hold symbolic meaning both in the way they're worn and how they're given. The hands, heart, and crown are said to correspond to the qualities of love, friendship, and loyalty. When exchanged in marriage, the ring is often given with the words, “With this crown, I give my loyalty. With these hands, I offer my service. With this heart, I give you mine."

Anna: Well you’re here now. You should find her and get it back.”
Declan: I don’t know.
Anna: It’s your mother’s ring.
Declan: Anyway, I thought it was your ring we were meant to be worrying about. Diddly-eye.
Anna: Oh, yeah. Right. Well, I’m glad to see you’re finally on board.
Declan: It has nothing to do with me. I’m just the old bag carrier around here. Why should I care?
Anna: So you don’t?
Declan: Would it make a difference?

On that first night in Dingle, shortly after Jonah’s story was told by Declan, another story was introduced.

Ezekiel and the Art of Digesting the Words of a Story

After realizing she wouldn’t find transportation so late in the day, Anna arranges to take a room at the Caragh. Declan shows her upstairs. As he turns to head back downstairs, Anna announces that she’s hungry and had noticed a menu in the bar. Declan quickly tells her the kitchen is closed, but then reconsiders and says he’ll make her a “hang sandwich.”

Anna calls out, “What’s a hang? Hang is a verb. It’s not a sandwich.”

Actually, a hang sandwich is the same as a ham sandwich. But for the purposes of this story, a hang sandwich refers to the one who was hanged. As Perceval was told in The Story of the Grail, “Christ, for thirty shillings pay was hung upon a cross that day.”

It wouldn’t be the first time the LORD provided a person with something to eat in order to digest words or ideas that must be communicated to others. Usually, as in the case of Ezekiel, the small scroll he was told to put on his tongue and eat, tasted like honey . . . not like pork. But then it isn’t about what goes into the mouth that matters, it’s what comes out of it.

In the morning, a rooster crows in Dingle.

Anna comes out of the Caragh with her luggage just as Declan drives up in a small, old, red Renault 4. She insults his vehicle multiple times. Declan shakes his head and talks to himself, “Don’t listen to her. She knows not what she says.”

Before a rooster crows again, Anna will have denied Declan three times:
  • After Anna rests against the front end of Declan’s car to clean her shoes and it begins its long backward roll into the pond, Declan tells her she’ll have to pay to have it towed out. She glares at him, “Like hell. You’ll have to kill me before I pay you a dime.”

  • Without a vehicle, they have no choice but to walk for a distance. When Declan notices a blue van approaching, he tells Anna, “I wouldn’t get in there if I were you.” Her response: “And I care about your opinion because …” The driver asks her if she needs a ride and then offers to help her with her suitcase. The moment her back is turned, the thieves drive away with her Louis Vuitton luggage. Declan keeps walking. Anna trails behind. When she finally comes upon Big Tom’s bar, Declan is there waiting for her. He tells her that as soon as he finishes his beer, “I’ll call a tow truck for us.” She glares and snaps, “There is no us.”

  • When they finally arrive at a train station they have a 2 ½ hour wait before the train departs for Dublin. Declan opts to walk up a hill to Ballycarbery Castle across the way. Anna originally says she’s going to stay close to the station, but something changes her mind. They are still at the top of the castle when the train whistle is heard in the distance. Anna begins to run. The clouds open up and it begins pouring rain. She stumbles and falls . . . and rolls, and tumbles down the hill, landing face down in a puddle of mud. Declan comes to her aid. She raises her head toward his face, “I hate you.”
Anna’s feelings of hatred negate the few pleasant moments they shared when they came within the walls surrounding Ballycarbery. Anna was impressed that it was a real castle and inquired, “So what’s the story with this place?” Declan obliges her request:

“Well, hundreds of years ago, there was a beautiful girl called Grainne. Now, she was promised in marriage to this fella called Fionn, who was kind of a cranky old warlord, old enough to be her father, old enough to be her grandfather, and therefore she wasn't in love with him. Anyway, on the night of their betrothal, whom does she meet but a handsome young warrior, Diarmuid. They fell madly in love at first sight, but what could she do? Well, she slips a sleeping potion in everyone's drinks, and the pair of them run off together across the Shannon. Fionn wakes and there's Grainne gone. Well, he goes mental. Takes his army and heads off in hot pursuit. But it was the people, you know, the people in the villages of Ireland, they took pity on Diarmuid and Grainne. They hid them in forests and in their barns and castles, where they'd sleep one night and then they'd move on. Sleep was all they did, 'cause Diarmuid, good man that he was, was suffering the old guilt about two-timing Fionn and out of respect for him, didn't, you know, take it any further. And then they came to this castle and this view. And 'tis said, you know, that, unable to resist such beauty, that here, in this place, they . . . . They consummated their love."

Anna is engaged with the story up until the point Declan mentions they consummated their love.

Anna: “Oh, my God. You’re hitting on me.”
Declan: “I’m what?”
Anna: “I’m the young woman on the eve of her engagement that can’t resist the handsome stranger? Oh, come on.
Declan: “I’m what?”
Anna: “You didn’t honestly think that was going to work did you?”
Declan: “Don’t flatter yourself darling. The story’s true, but it sure as shite ain’t about you.”

Actually, the story IS about Anna. And Declan plays a role, but it isn’t as the handsome young warrior named Diarmuid. The journey that Anna is in the midst of . . . traveling with Declan through villages in Ireland on their way to Dublin is a story she shares with Anna from the Bible.

Anna was a Hebrew prophetess who was at the temple in Jerusalem when Mary and Joseph arrived with the baby Jesus forty days after his birth, to present him to the LORD according to the Law of Moses. Both she and Simeon recognized the baby as the Anointed One, the Messiah that the prophets of old had written of. Simeon prophesied the redemption of the world by Jesus. Anna offered a prayer and praise to the LORD and spoke to everyone about Jesus’ role in the redemption of Israel.

Both are considered the last prophets of the Old Testament and have been made saints by the Roman Catholic and Eastern Orthodox Churches. The Eastern Orthodox Church celebrates their feast in February, following the celebration of “The Meeting of Our Lord, God and Saviour Jesus Christ” which is also sometimes called “La Fête de la Chandeleur.”

The Christian feast is an adaptation of a festival known as Imbolc, belonging to the Gaelic year. In Ireland it is also known as Lá Fhéile Bríde. Imbolc comes from the Old Irish word i mbolg which means "in the belly" referring to the pregnancy of ewes. It is a festival of the hearth and home, a celebration of the lengthening of days and the early signs of spring. There are hearthfires, special foods, candles, and the watching for omens. The lighting of candles and fires represents the return of warmth and the increasing power of the Sun in the coming months. The old tradition includes being on the lookout for serpents or badgers to come out of their den. (Wikpedia)

Anna's Story

The story of Anna is inclusive of all the smaller stories. It begins in Boston when Anna’s friend Libby crashes in on a dress fitting to announce that she saw Jeremy walking out of DePrisco’s carrying “that little red bag.”

Supposedly there is only one reason people go into DePrisco’s and that's to buy engagement rings.

Jeremy specializes in matters of the heart, but he’s not particularly adept at romance. When the marriage proposal doesn’t materialize during the “very special dinner” he’s arranged before leaving for Dublin, Anna decides to follow him and pull a Grandma Jane by popping the question herself.

When Anna first arrives in Dingle and discovers there isn't a bus or a train to deliver her to Dublin, she inquires about taxi service. And of course Declan is not only the bartender of the pub, he’s the innkeeper, kitchen cook, and village taxi driver. He’s also quick to inform her that Dublin is a city of chancers and cheats and backstabbing snakes. He wouldn’t drive her to Dublin if she paid him €500. But then something happens that changes his mind.

Like Ballycarbery, every city has a story. And as we’ve seen in recent months, the spectral genius working behind the scenes, the Master Storyteller himself, is particularly fond of using places with a connection to the arts.

Boston is the home of the fictional character Hester Prynne, the leading lady of Nathaniel Hawthorne’s novel The Scarlet Letter. A story about a woman who is required to wear “a rag of scarlet cloth” on the breast of her dress, in the shape of the letter A—for adultery—as a symbol of her shame and sin for everyone to see. Hester had an affair with Arthur Dimmesdale, an eloquent minister who privately brands his own chest with the letter A.

Dublin is where Handel’s Messiah premiered in the year 1742. Handel is famous for word painting, a technique in which the melody mimics the literal meaning of the lyrics. Charles Jennens wrote the libretto, or text, for Messiah, gathering much of the material from the Old Testament and drawing heavily from the book of Isaiah. Additional sources include Matthew, Luke, John, Hebrews, Romans, Job, First Corinthians, and Revelation. Jennens conceived Messiah as an oratio in three parts which he describes as follows:

  • “Part One: The prophesy and realization of God's plan to redeem mankind by the coming of the Messiah. 
  • Part Two: The accomplishment of redemption by the sacrifice of Jesus, mankind's rejection of God's offer, and mankind's utter defeat when trying to oppose the power of the Almighty. 
  • Part Three: A Hymn of Thanksgiving for the final overthrow of Death.”

It's been said that one day an assistant entered Handel's room after trying to get his attention for several minutes with no response. He found Handel in tears. When the assistant asked what was wrong, Handel held up the score to the “Hallelujah” chorus and said, "I thought I saw the face of God." (Wikipedia)

Finding Meaning in the Journey and the Places It Travels Through

It was never meant to be that Anna from Boston would fly like a bird in a plane to reach her destination. Getting there is half the story. Everyone she meets, everything that happens, brings meaning. Storms not only slow her down, in some instances they prevent her from passing through certain locals.

After her original flight was diverted to Wales, Anna hired a boatman to ferry her to Cork but rough seas force them to go to Dingle instead. And good thing because in reality anyone familiar with Cork would tell you it has a reputation for rebelliousness that goes back hundreds of years. It’s even nicknamed “The Rebel County.”

Dingle on the other hand, is a quaint town on the Atlantic coast, situated on a natural harbor. It thrives on fishing, agriculture, and tourism. However it wasn’t too long ago that tourists might have had a difficult time finding their way to it. In 2005 it was announced that anglicized place names—like Dingle—would no longer be included on signposts and that only the Irish language names would appear. The English language version of the town’s name was officially dropped and replaced with the Irish name An Daingean. After trying to get their point across without success that nobody could find their way there, the locals took matters into their own hands, spray-painting “Dingle” on any sign for the town that didn’t include it.

Along the N24 route between Limerick and Waterford City, is a place called Tipperary. In Irish, the name means “The Well of the Arra” in reference to the river which flows through it. There have been many songs which pay tribute to the place, among them John Alden Carpenter’s song The Home Road which includes the lyric “For the long, long road to Tipperary is the road that leads me home.”

But it isn’t just the places, people, or events that bring meaning to Anna’s journey. It’s the sounds and sights as well. In particular, it's the cows.

The herd of cows they encounter that are blocking the road might be viewed as sacred cows—though not of the Hindu variety. In a metaphorical sense the cows represent something unreasonably immune from criticism. And the proof for this assumption is provided by the story.

After Anna falls down the hill outside Ballycarbery castle and they miss the train to Dublin, the station master takes them to his home, “the best little B&B in Tipperary.” As they’re freshening up following a day of mishaps, Eileen visits their room to make sure all is well and shares the news that they’ll be having tripe for dinner.

"Homemade."

"A family recipe."

“Nothing like a bit of cow’s stomach on a rainy day.”

Anna merely needs to ask if Declan heard what Eileen said and he volunteers, “Right, tripe. I was thinking, Mrs. O’Docherty, why don’t you let me cook?”

Anna, who as far as we know has had nothing to eat except the “hang sandwich” that Declan prepared the night before, convincingly says he’s a wonderful cook. "He’s a chef."

We need to remember that words have multiple meanings. Cow’s stomach may well be a great dish for certain days, but with Declan in the kitchen one can be certain that nobody is going to be served words that are false or have little merit.

Anna and Declan go outside to gather vegetables from the garden. Anna opens up about her life while she was growing up in an effort to explain why she tries to control situations. Declan apologizes as if he’s personally responsible. “A father is someone you should be able to rely on, you know?”

While Declan goes after a chicken in the coop, he verifies that Anna isn't one of "those vegetarians." When he grabs a bird, he brings it out and stands in front of her as he breaks its neck. “Coq au vin?”

Anna returns to the kitchen in disgust while Declan shakes his head and softly says, “Give me strength.”

Isaiah 40:28-31 (NIV)
28 Do you not know?
Have you not heard?
The LORD is the everlasting God,
the Creator of the ends of the earth.
He will not grow tired or weary,
and his understanding no one can fathom.
29 He gives strength to the weary
and increases the power of the weak.
30 Even youths grow tired and weary,
and young men stumble and fall;
31 but those who hope in the LORD
will renew their strength.
They will soar on wings like eagles;
they will run and not grow weary,
they will walk and not be faint.

Declan follows Anna into the kitchen, “Don’t start telling me that you’ve never had chicken stew before.” “I’m wondering where it is that you think chickens come from.”

The meal they prepare is well received. Actually, it’s “magnificent.” Following dinner, Frank breaks out a bottle of liquor that was a wedding present 44 years prior. He gives Eileen a kiss of appreciation. Stephano, one of the Italian guests, interjects “That’s what it takes to be married for 44 years. The kiss. Always kiss like it’s the first time and the last time.“ Stephano and his wife share a “grand” kiss. Frank pressures Declan into kissing Anna: “Show us old ones how it’s done.”

Declan hesitates.

In order to fully appreciate this moment, we need to consider all of the components that have already come to our attention, plus a few new insights. “Anna from Boston” has been given a hang sandwich to digest and is traveling to Dublin, where Messiah premiered.

In the story, Declan is God personified. He’s also the old warlord in pursuit of his intended Bride. And while he may not have a high opinion of Jeremy, he does have great respect for Anna. The words spoken by Stephano and Frank in quick succession would certainly strike a chord in Declan’s mind. The first, the last, it’s done . . . I am Alpha and Omega, the beginning and the end. It is done.

The challenge presented by the kiss is that Anna must make her own decision concerning what’s at stake. And I suspect that God personified, Love in its purest, might be a pretty good kisser even if he’s never kissed a woman before. Consider the emotions that come with the moment when lips first touch.

But the real problem is that the true character of a person is discerned by careful observation of the intangible qualities present in their conversation and conduct. And all the words that Jesus spoke came from the Father in heaven, who told him what to say and what to teach. Like the duet shared by Christine Daaé and the Phantom, "Your/My spirit and my/your voice in one combined."

When words and conduct are considered, there’s a very fine line that separates the man Jesus from God the Father. Anna must be able to distinguish between the two.

Jesus performed miracles and taught in parables. When he healed a man he gained a follower, when he told a parable he did so to ignite the imagination—to spark the mind. His genetic makeup was such that when his actions touched the physical dimensions of life, they likewise produced a spiritual repercussion. But there was nothing about his genetic makeup that distinguished him from other human beings. More importantly, the intent of his life was to show what everyone else was capable of achieving.

Just as Anna and Declan act out the story of Jonah in the movie Leap Year, the story of Jesus retells the Creation story and takes it to the final redemption; he represents the beginning and the end.

  • In Genesis, man was made in the image of God and then formed with the substance of earth. Jesus was conceived by the Holy Spirit and the seed of a young woman. He was one part spirit and one part flesh . . . as we all are.
  • Adam and Eve were told if they ate of the Tree of Knowledge of Good and Evil, they would experience death. When they ate the fruit they essentially agreed to die. Jesus came to earth to die. Our own death is the only thing we know is certain to happen during our time on earth.

But there's more to each story. Nachash, the Hebrew name belonging to the serpent of the Garden, told Eve “You will surely not die.” Jesus had one true message to deliver: life everlasting. Only the flesh dies. The soul on the other hand—our personal story—is intricately woven with the spirit and lives on and on.

Like the name of the village Dingle, the name Nachash is important. It's serves as a guidepost to help us find our way back home. For the larger population, the serpent's name was lost in translation while the knowledge that words in the Hebrew Bible gained meaning and authentication via a code translating words to number known as Gematria fell to the wayside. In order to fully appreciate the role of the serpent "Nachash," one had to understand the role of the "Messiah" as both words have the numeric value 358. Their roles are similar in nature. They were both messengers of God.

Another Apple

In the morning that follows dinner at the B&B in Tipperary, the rooster crows for the second time. Anna learns the train doesn’t run on Sunday and Eileen already left with the car to go to Mass in Dublin and do some shopping. Declan takes note of the missed opportunity and eats a second apple.

Anna packs her bags and sets out walking to the nearest town where she can catch the next available bus. Declan trails behind, making sure she takes the right turns along the way. As they’re walking on a country lane, hailstones begin to fall and they run to the nearest building which happens to be a church. Anna bursts backwards through the doors, laughing loudly while saying, “Jesus Christ!” When she turns, she sees the pews are filled with guests and a wedding is in progress. Without a moment's thought, she appends her words with “Is Lord,” to avoid judgment and please the crowd.

The priest invites them to take a seat and witness the ceremony. They end up staying for the reception. Priorities switch as Declan urges they get back on the road, but Anna insists she isn’t going to walk any further in the shoes she’s wearing and chooses to wait for the priest who has offered to drive them to the bus station.

Old wounds and recent hostilities rise to the surface, but eventually it’s the wounds that bring them closer. Anna informs Declan that she’s onto him. She tells him, “You’re a beast.” She attributes all his growling and beasty behavior to the pain he’s in, as if he has a thorn in his beasty paw. Like a lion.

Like the lion in Aesop’s fable who was moaning and groaning in the forest when an escaped slave came upon him:

At first Androcles was fearful, but when he realized the lion didn’t pursue him when he tried to run away, he turned back and approached it. As he came nearer, the lion held out his paw which was badly swollen and bloody. Androcles could see that a huge thorn was pressed deep in the paw, causing the lion’s pain, so he grabbed hold of it and pulled it out. Then he bound up the paw. Soon the lion was able to rise and licked the hand of Androcles like a dog. Then the lion took Androcles to his cave and every day would bring him meat so he could live. But one day both of them were captured. Androcles was sentenced to be thrown to the lion, after the lion had been kept without food for several days. The Emperor and all his Court came to see the spectacle. Androcles was led to the center of the arena. Soon the lion was let loose and bound across the dirt, roaring fiercely, rushing towards his victim. But as the lion came near he recognized his friend and fawned upon him, licking his hand like a friendly dog. The Emperor was quite surprised and summoned Androcles to him. Androcles told him the whole story, whereupon the slave was pardoned and freed and the lion was returned to his native forest.

The traditional moral of the story is: Gratitude is the sign of noble souls.

But there’s a reason this particular fable was included by the spectral genius working behind the scenes. He's in pain. He's really, really in pain. And we're the only ones that can take the pain away.

For the second time, Anna tries to comfort Declan. But she gets sick in the midst of it. As Declan lifts her in his arms she expresses concern for "Louis," her luggage that’s been hauled along the entire time. Declan promises to come back for it as he carries her on toward the final leg of their journey.

When they finally arrive in Dublin, Anna comments on what a beautiful city it is and how she hasn’t seen one backstabbing snake. Declan responds, “Yeah, well, its’ the chancers and cheats that you have to watch out for.”

Redefining the Serpent

The "snake" that was sent out of the Garden with Adam and Eve, to crawl on his belly, has always been with us. He strikes at our heels as we're rushing out the door and suddenly remember we've forgotten something. Sometimes we swipe at his head. The serpent of the story is Intuition. Nobody regrets following intuition, but many will tell you the outcome wasn't what they hoped for after acknowledging they ignored it.

When they stop over a bridge and talk, Anna intuitively knows that Kaleigh, the girl in a photo she’d seen in Dingle, is there in the city. She just as quickly comprehends that the other person in the photo—besides Declan—is the one that Kaleigh ran off with.

While in Dublin, two birds are killed with one stone: Jeremy proposes to Anna; a ring is given. And Declan calls Kaleigh to arrange a meeting with her; a ring previously given is recovered.

Anna returns to Boston with Jeremy while Declan returns to Dingle.

Endings That Transform Into New Beginnings

Business at the Caragh is hopping when Declan is compelled to leave the kitchen to deal with a customer’s complaint about the chicken being dry. He says, “Alex you’re in charge. Don’t blow anything up.”

Alex is the thread that delivers us to the Prologue of The Story of the Grail. In the original tale it’s a reference to Alexander the Great, who Chrétien says is surpassed in greatness by Philip, Count of Flanders. Philip is the man credited with providing Chrétien de Troyes “the book” which was put to rhyme. Alexander on the other hand, had two great impulses: to do great things but only as long as he was assured fame and glory for having done them.

As Leap Year is drawing to a close, Seamus and Joe are standing on a path outside the Caragh. Joe looks across the way and comments, “Would you look at that! On a Sunday, no less.”

Sunday is apparently good luck for some things, among them ending a journey.

Joe: Aye, and dig a well.
Seamus: Idiot! Do they look like they’re digging a well?
Joe: You know what I’m talking about.
Seamus: I never know what you’re talking about.

In reality, May 27th wasn’t a Sunday. But it was a night marked by a full moon. For the second time in the history of this blog, while I was busy researching details, one came of its own accord to my inbox and magically aligned what was happening in the story with the heavens above. Lynda Hill’s newsletter on the Sabian Symbols that correspond to this Full Moon describes love knocking at the door and an old-fashioned well: the degree of the full Moon on May 27th is “Sagittarius 7, Cupid Knocking at the Door of the Human Heart. The degree is one of opening the heart to universal love and allowing an open and honest exchange between you and others. Love is asking to be let in. Finding the “key” to open the door can lead to big realizations about the self and others. The degree of the Sun at this full Moon is Gemini 7: An Old-Fashioned Well with the Purest and Coldest of Waters. The degree shows a reliable, sustainable, and refreshing supply of the essence of all life—water. Wells symbolize sources of nourishment, the quenching of thirst, and can also show inner wisdom, and the depth of people, emotionally and spiritually.” Click to read the full write-up Full Moon


After 825 years . . . four novels and six movies, the audience has been delivered to the opening pages of The Story of the Grail. That’s some kind of miracle.

Eleanor of Aquitaine would be humbled. All that she suffered by the willful intent of others has been avenged. And who would dare argue with the knight who rose to her defense. The only incident of Eleanor’s life for which she may feel a tinge of guilt and be carrying around as baggage, is a comment she once made about her first husband Louis VII. She complained that she thought she had married a king but instead apparently married a monk as Louis gave more attention to God than he did to her.

Nineveh was given 40 days to correct their evil and corrupt ways. As an aside, details belonging to the gemstone are woven through the movie 2012 beginning with Leonardo da Vinci's Mona Lisa and a watch offered in trade. The movie builds its case by connecting the details of what's been happening and uses a map to guide a group of people hoping to be part of the future of humanity; a future that holds literature and art in high esteem. In the film, Charlie says, "Well, something like this could only originate in Hollywood."

Given the options available it's a brilliant strategy to tap Hollywood's creativity. And the big screen offers a neutral venue with a vast audience--a time-progressed version of a minstrel delivering the original story from the streets of Troyes in 1185.

Something has to give. And the reality of the situation is truth doesn't come in versions. Time is of the essence.